(Montage conducted by Allan Wilson / Johannes Vogel; Music by James Hannigan)

“The most powerful weapon is the music.”

L.A. TIMES

“… James Hannigan’s music makes The Sandman totally immersive.”

THE SUNDAY TIMES

“the best music in the series..”

MOVIE MUSIC UK – HARRY POTTER AND THE ORDER OF THE PHOENIX (VG)

“…a wonderful cinematic score”

AUDIOFILE MAGAZINE

“[Evil Genius] expertly captures the ‘60s spy-movie aesthetic”

GAME INFORMER

” a superb score by composer James Hannigan — nothing more, nothing less.”

MULTIVERSITY COMICS

“horns and violins rise to cacophony, guaranteed to get the heart pumping.”

TIME

“A score which combines musicality with wit … complementing the sound perfectly.”

BAFTA

“10/10. The music in Republic is amazing… possibly the most appropriate music ever….”

GAME FAQS

“James Hannigan has not missed a beat.”

GAMING TREND

“formidable music, sometimes terrifying, sometimes tender…”

THE TIMES

“…some of the most viscerally satisfying bombast ever produced”

GGM

“The soundtrack is particularly fantastic”

IGN

“…a cohesive musical story from start to finish.”

FORBES

“The music truly excels”

RAPID REVIEWS

“The music is amazing. James Hannigan returns, expands the original … Brilliant Music.”

GAMEWATCHER

“Spaaaaaaaace!.”

– TIM CURRY (COMMAND & CONQUER: RED ALERT 3)

James Hannigan is a BAFTA-winning composer and producer based in the UK, with credits spanning several entertainment industries.

In games, his credits include entries in the Harry Potter, RuneScape, Dead Space, Warhammer, Evil Genius, The Lord of the Rings, Theme Park, FIFA, F1 and Command & Conquer series, among many others. An innovator in interactive music, he was among the first composers in Europe to record live ensembles for video games. | LISTEN

In full-cast audio drama, his work includes landmark series The Sandman - Amazon/Audible’s best-selling Original - along with the Audie Award-winning Alien series, BBC R4’s Neverwhere and Good Omens, and DC’s Kingdom Come. He has also written themes for Terry Pratchett’s Discworld series and the immensely popular Harry Potter audiobooks.

Over his thirty-year career, he has received five further BAFTA nominations for his scores, along with an IFMCA Award for EA’s Harry Potter and the Half-Blood Prince. More recently, his awards have included a Webby for The Sandman: Act II - which features “The Song of Orpheus,” sung by Regé-Jean Page.

With over 50 AAA game credits and countless television placements, his music is more familiar than his name: from Red Alert 3’s parodic “Soviet March” - streamed hundreds of millions of times - to RuneScape’s orchestral score and the Stephen Fry-read Harry Potter audiobooks - a series which has amassed more than a billion listening hours on Audible alone - his work has reached vast audiences worldwide.

Hannigan's television scoring stretches back to shows such as BBC America’s Primeval, while his music has been licensed for use in an enormous range of shows - from Top Gear and The Grand Tour to Emily in Paris, Saturday Night Live and SpongeBob SquarePants.

He has recorded several world-class orchestras and soloists for many of his projects, at studios including Abbey Road, AIR and Skywalker Sound. His work has been performed by ensembles such as the Philharmonia and Royal Philharmonic Orchestra at concerts ranging from Video Games Live to RuneFest.

Hannigan's past work has also included entries in the Cloudy with a Chance of Meatballs, EA Sports, Grand Prix and Art Academy game series, and a number of his tracks have appeared in Terraria and the Super Smash Bros. series.

He has scored live-action film and FMV sequences within cult-classic games, including Freelancer, Wing Commander spin-off Privateer II: The Darkening - starring Christopher Walken, Clive Owen and John Hurt - and Command & Conquer: Red Alert 3, with Tim Curry, Jonathan Pryce and J. K. Simmons.

His work on the Harry Potter game tie-ins to the film series - from Order of the Phoenix through to The Deathly Hallows - represents his biggest contribution to a single franchise, while his early work includes the BAFTA-nominated, pioneering interactive scores of Evil Genius and Republic: The Revolution - designed by Theme Park co-creator Demis Hassabis, later co-founder of Google DeepMind.

Hannigan began his career in the 1990s as EA Europe’s in-house composer before working from Pinewood Studios for over a decade. His early credits include Space Hulk: Vengeance of the Blood Angels, Catwoman, Reign of Fire, Infestation, Brute Force, F1 2000, Theme Park World (BAFTA Award, 2000), Cutthroat Island, Flight of the Amazon Queen, Warhammer: Shadow of the Horned Rat, MoHo, and Conquest: Frontier Wars - along with sound design in films such as the Golden Reel-nominated Lost in Space.

Other work includes titles such as Command & Conquer 4, Transformers Universe, Dead Space 3 and, more recently, Evil Genius 2, Call of Antia, and Steelrising.

Hannigan is also a founder of sold-out London-based conferences Game Music Connect and Screen Music Connect, and an occasional writer. He has been featured on the cover of DEVELOP magazine for its first-ever audio-related feature, which he also wrote, and his contributions have been published by Classic FM, Pixel Addict, MCV and Cambridge University Press. He also blogs from time to time on subjects such as retro technology and the impact of generative AI.

A longstanding BAFTA member, he is a two-time BAFTA juror and a Fellow of the Royal Society of Arts - and, in 2012, was featured in BAFTA’s Conversations With Composers series at the Royal Albert Hall. He has also spoken at conferences such as DEVELOP, Musicworks, The Edinburgh International Festival and The BAFTA Interactive Festival.

He has been interviewed by BBC Radio, Classic FM, Sky TV, IGN, Forbes, MusicRadar and other outlets, and is represented by COOL Music, London.

James Hannigan doesn't use social media